Sam Dunscombe Berlin, Germany
I am a performer-composer working with clarinets, computers, and microphones. I'm interested in the different ways music lets us experience time, which has drawn me to areas like spectralism, just intonation, free improv, new complexity, field recording, audio engineering, electronic music, etc. I have recordings on Black Truffle, Another Timbre, Wandelweiser, Marginal Frequency, Mode, and others ... more
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Electronic Music from the Eighties and Nineties
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The real title of this album is "Carl Stone songs you can cry to." Sonali will make you dance, I guess, but then you'll start crying again after that.
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Duo in Concert
by Derek Bailey & Paul Motian
supported by 8 fans who also own “First Study in Mass Plasma Synthesis”
The uncertainty of the next moment and the perfect choice of expression, intensity and tension. This record is not only of historical value, it is the equivalent of seeing a phenomenon that has never been seen before. A fundamental thing.
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crab-shapedness
by Anne-F Jacques
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Riveting modular synth music built from repeating and non-repeating patterns, “In Succession” is a beautiful, kaleidoscopic work.
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A Second Invitation To An Uninterrupted Katabatic Lens
by Decolonize Your Mind Society
This Hungarian psych-jazz collective works with tonality and tuning to challenge what we think of as catchy according to Western modes.
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When It Reigns It Poors Series - Vol. 13 - Radio Transmissions
by AVOLA
Eerie drones, haunting moods, and long shadows on the latest from Portland artist Avola.
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Rhapsodia / Battements solaires
by Michèle Bokanowski
supported by 8 fans who also own “First Study in Mass Plasma Synthesis”
Intoxicating, looped orchestrations from within the synthetic pulse.
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